We’d love to get a glimpse into who you are beyond the label, the everyday moments that make up your world, and the energy you bring into it.
Who are you?
I’m Kate, a 33 year old girly.
How would your friends describe your energy? Probably a little chaotic, hard working and playful
What does a day in the life of Kate look like?
I spend early mornings with my one year old and each day varies on what happens after that. We live on a farm so we usually venture outside of the house to start the day, then either a daycare drop off is involved or I'm in mum mode for the day. I cherish the days I get to work and book in pilates classes where I can.
What sets your soul on fire?
Designing moments, clothes, experiences that make people feel something.
How does PALYTTE reflect you, your process, your influences, and the quiet details that bring your ideas to life.
How do you begin, what does your creative process usually start with?
Pinterest boarding for hours on end, creating a mood board and then playing around with fabrics/patterns.
What or who has shaped your creative eye over the years?
Travelling. Every time I go somewhere new I find myself so inspired, especially by what people are wearing. When I visited Copenhagen it really stuck with me. I was in awe of the creativity and simplicity in their style, and the confidence they had to wear playful, unexpected pieces. It opened my eyes to how style can be both effortless and expressive at the same time.
How do you balance intuition with practicality in your design decisions?
I can get carried away with designs then kindly remind myself I am sewing things myself, so I need to tone down the complexity of the pieces.
What makes something feel finished, or ready to release?
It usually comes down to a feeling, when the fabric and design complement each other in a way that just makes sense. I try to ask friends for input but I’ve learnt to be selective with who I ask, not everyone has the same eye or understanding of what I’m aiming for, and sometimes too many opinions can cloud things. I’ve realised that trusting my gut is a big part of my process when I stop tweaking and start feeling excited that’s usually when it’s ready to go.
You’ve mentioned you’re a mother, and we’d love to explore how that experience has woven itself into your creative process, your pace, and how you approach business now.
How has motherhood shifted your creative process or priorities?
It’s definitely made things more challenging especially when it comes to time and headspace. I’ve always needed quiet uninterrupted time to really get into my creative flow, and that’s not something that comes easily anymore. It‘s forced me to be more intentional with the little windows of time I do get.
What has surprised you about navigating business alongside parenting?
I had been told I’d be constantly exhausted and barely functioning but I’ve been lucky to have a baby who sleeps well, so those sleepless nights haven't really been my reality (feeling blessed).
In this season of life, what does creative fulfilment look like? It’s become more intentional and simplistic, as I don't have the time I used to spend on creating anymore. I try to celebrate the little wins, a new made piece or just coming up with an idea that’s going to be straightforward.
What advice would you offer other mothers building something of their own?
Have a plan! I learnt this the hard way and didn't think I had the ‘time’ but it will do you wonders in the long run.
When we were chatting, you spoke honestly about the growing pull to produce offshore. Love to hear more about how you’re navigating those decisions and staying close to your values.
What does local production mean to you, and to PALYTTE?
Our production is as local as it gets, I'm still handmaking most of the garments. There’s something special having that level of control and closeness to each piece. But it also comes with chaos, threads everywhere, days spent pattern making and a whole lot of headaches, it’s a love hate relationship.
Have you felt the pressure to produce offshore, and how do you navigate that?
Yes, as things grow, I’m finding it harder and harder to sustain making everything myself. I’m at a bit of a crossroads questioning whether it’s realistic to keep producing by hand or whether it’s time to explore manufacturing if I want the brand to grow.
How do you hold onto slowness in a fast-moving industry?
I think by not labelling collections by their season, as I want our pieces to be timeless and still hold their value beyond a specific time. Instead of chasing big seasonal drops I focus on smaller and more refined releases when I can. One of the biggest advantages of producing everything myself is the flexibility to work in small quantities. It means I can avoid overproduction, top up styles when needed, and move at a pace that feels more aligned with how I want to create.
To wrap, we’d love to look ahead. What’s inspiring you right now, and what’s quietly unfolding behind the scenes?
What chapter do you feel PALYTTE is in right now?
Flow. After a quieter season in full Mum mode, things finally feel like they’re moving again. I’m reconnecting with the rhythm of creating and running the brand in a way that feels right. I’m not rushing or overloading, just building momentum slowly and intentionally.
Has your definition of success changed since you began?
Yes, I think having flexibility and freedom is a big part of that now.
How do you want people to feel when they wear PALYTTE?
I want people to feel fun, unique, and confident. And most of all not blending in. Palytte was always about expression. The name itself is a play on the idea of a colour palette, because I always thought of owning a clothing brand as a way to paint peoples wardrobes.
